Dada & Surrealist Objects: Blain|Di Donna

The exhibition presents a retrospective overview of all aspects of this subject, and encompasses a full selection of works by every serious creator of objects from both the Dada and Surrealist groups.  Chronologically, this exploration begins with Marcel Duchamp, whose invention of the readymade in 1913 gave birth to the separation of found or handmade objects from the more limited world of sculpture, usually confined to plaster, bronze, marble and occasionally carved wood that had previously represented, exclusively, in the realm of the third dimension in art.  It continues through Arp, Man Ray (with an assortment of works from his New York, Paris and California periods), Dalí  (represented  by two works of major importance: Objet escatalogique de fonctionnement symbolique (Le soulier de Gala) and Vénus de Milo aux Tiroirs), Magritte, Giacometti, Calder (two seminal works lent by the Calder Foundation), Miró (including a charmingly witty post-war work, courtesy of the Pierre and Tana Matisse Foundation), Bellmer, Kurt Schwitters, Kurt Seligmann, and an interestingly varied assortment of early works by Joseph Cornell. It also features  two of André Breton's famous "poem-collages", boxes and book-bindings by Georges Hugnet, and other assorted treasures by Marcel Jean, Oscar Dominguez, Maurice Henry, a mixed media painting by André Masson embellished with sand, a shell and a feather, an interpretation of Alberto Giacometti's ear by Meret Oppenheim, a painting encased in a hand-carved frame by Yves Tanguy, an intricately collaged bottle by Laurence Vail, as well as many other works rarely seen in public before.

The presentation is augmented by a group of vintage photographs by Raoul Ubac depicting various objects created by Surrealist artists for the International Surrealism Exhibition in Paris in 1938: mannequins decorated by Man Ray, Max Ernst and others, and two works by Dalí: The Aphrodisiac Table (with Lobster Telephone) and the environmental phenomenon, Rainy Taxi.